![]() By 1922 he discovered his true direction: He acquired two watercolors by Cézanne and a painting by Picasso. Gallatin soon came to consider the Impressionist and Ash Can pictures in his collection corrupted by sensuous facture and emotional appeal, and he sold them. As co-organizer of the Allied War Salon to benefit American War Relief he worked closely with Duncan Phillips (founder of the Phillips Collection in Washington, D.C.), who was one of the most adventurous and prescient connoisseurs of the time. The deep vein of formalism in Gallatin’s temperament was already revealed in his early attraction to the aestheticizing art of James McNeill Whistler, Aubrey Beardsley, and Max Beerbohm, with its emphasis on decorative beauty, refinement, and art-for-art’s-sake at the expense of subject matter.Īround the time of the First World War, Gallatin’s taste in art changed dramatically. Among his first purchases were works by American and French Impressionists and by members of the Ash Can School. Gallatin began his career as an art collector at the age of 17. His father taught analytical chemistry at NYU, and he himself was an NYU trustee. Portraits of him by Gilbert Stuart and Rembrandt Peale passed by descent to Albert Eugene. His great-grandfather, Albert Gallatin, was one of the founders of NYU and served as Secretary of the Treasury under Presidents Jefferson and Madison as well as US Minister to France. His ties to NYU, to art, and to France extended back several generations. ![]() Among the best-known works in the collection were Pablo Picasso’s Three Musicians (1921), Fernand Léger’s The City (1919), Joan Miró’s Dog Barking at the Moon (1926), and Piet Mondrian’s Composition in Blue and Yellow (1932).īorn in 1881 in Villanova, Pennsylvania, to a patrician family of Swiss descent, Albert Eugene Gallatin was heir to a large banking fortune. ![]() Gallatin’s Gallery of Living Art-renamed the Museum of Living Art in 1936-which was restricted to “fresh and individual” works by living artists. Between 19, New York University was home to A.E. Contrary to popular belief, New York’s Museum of Modern Art was not the first institution in the United States exclusively devoted to contemporary art. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |